Produced by Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it results in a comically executed rampage on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in British and Irish theaters from November 17.
